I eventually ended up in a band called Revival Dear.
Someone I was with at the time asked me, “What would you really love to do musically if you could do anything you wanted?” No word of lie my answer was, “To play in a band like Blue Rodeo.” So this person said, “Get a day job and only take gigs with bands that are in that genre.” So I took a day job and did exactly that. After years of doing those kinds of gigs I was starting to lose my passion for music. My television debut playing piano was actually at age 10–the same year that Outskirts came out, so I’ve been on the scene since the beginning! Up until around 2006, I had been spinning my wheels doing all manner of music jobs such as playing piano in lounges, at private parties, wedding bands, etc. I’ve played professionally since I was young.
#Adam john bugoski professional#
For our readers who may have little familiarity with your music, please provide a brief overview of your professional music history. You are a well established instrumentalist within the Ontario music scene, and recognized as the keyboard player for Blue Rodeo, a role you have thrived in for going on ten years now. Team GDW recently took time to chat with Mike Boguski about this amazing new solo release. “But now there is definitely a part of me that is very eager to write and perform my own music, and I think this new album is the start of how that’s hopefully going to take shape.” “I have a tremendous sense of pride in being able to bring the music of Blue Rodeo to life, and that will always be a part of me,” states Boguski. We caught up with the band in Brantford last November, and quickly noticed the on-the-fly changes made during both “Disappear” and “Diamond Mine,” and the noticeable differences in tempo and pace (especially during “Disappear,” which can be found on our FB page). And for those who have had the good fortune to attend a Blue Rodeo concert recently, it would be hard to ignore the subtle changes and improvisations that Boguski has shared during specific tracks that allow him some solo time under the spotlight.
#Adam john bugoski free#
“I decided to do a completely free take of ‘On The Beach,’ and I could tell from Mike’s reaction that I had stumbled on to something special.”īoguski would ultimately include both this Neil Young classic and an interpretation of Townes Van Zandt’s “To Live Is To Fly,” on the album, interspersed amongst his ten original compositions that were all constructed on the principles of ‘free-improvisation.’ Go ahead and immerse yourselves into these pieces that resonate very closely with Mike’s life-lessons, such as “Madawaska Moonlight,” “Eva” and “Memorial ” delivered in an avant-garde jazz style one moment, and then as a roaring improvised bar-room blues piece the next. “At that first session with Mike Timmins, I’d laid down 10 straight instrumentals, none of which felt particularly interesting,” Boguski explains. And with this personal challenge came the realization that the concept of a new recording could not be complete until he himself found fully comfortable with this technique and process. In order to deal with both the loss of his father and the breakdown of his marriage, he would not only find refuge in his musical comfort zone, but sought to push the boundaries beyond his conventional repertoire, through the ambitious exploration of improvisation. Working alongside renowned musician and producer Michael Timmins (Cowboy Junkies), this collection of twelve tracks embrace many of the life-changing moments experienced by Boguski during this creative process. Originally planned as an album that he could put together in just a two-day burst, three years would pass before Boguski considered the project to be complete and ready to share. Probably best known as the keyboard player for Blue Rodeo, multi-instrumentalist Mike Boguski recently completed and released “Blues For The Penitent,” a personal and reflective collection of piano pieces that truly showcase his musical talents.
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